Brutally stripped from her place in the forest, the oak remembers. As she feels the call of new life, she takes steps to return her life. Patrick Freivald strips back our love of wood and shows us the horror of our consumption, and the consequences. SY
She remembered the men, the saws and the smoke and screaming agony and bleeding sap. She remembered the darkness, when they took her and stripped her and killed her and shaved her down to cruel planks. She remembered the darkness, the tepid warehouse harsher than any winter, and the brief kiss of sunlight before her imprisonment.
But she didn’t remember before. The dappled sunlight through the forest, squirrels scrambling through her boughs, the deer resting in her shade, the rabbit warren under her roots. She knew these things, but she couldn’t recall them.
Brutal geometry stole her form, a giant kiln her essence, mankind her purpose. Jagged steel screws bound her to dead sisters, gave her a form both alien and hostile. Wrapped in cold vinyl and fiberglass and sheetrock, she hardened, stiffened, became as bone to this new thing, this monstrosity, this structure. Eyes of glass saw nothing but her sisters’ torture, and concrete roots drew no water to slake her thirst. Read the rest of this entry